Against Assimilatory Forgetting: Memory as Identity in Contemporary Fiction on Migration from Eastern Europe

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  • Presentation speakers
    • Giulia Da Lio, Stockholm University, Sweden
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    • Giulia Da Lio Against Assimilatory Forgetting Memory as Identity in Contemporary Fiction on Migration from Eastern Europe.pdf

  Abstract:

  According to Jan Assmann, the process of “transition from one group into another one” is “accompanied by an imperative to forget the memories with the original identity” (“Communicative and Cultural Memory”). However, if one assumes that the process of migration represents such a transition (both in social and cultural terms), it is possible to single out a different approach to memory within contemporary English writing on migration from Eastern Europe. In particular, in Marina Lewycka’s A Short History of Tractors in Ukrainian and Kapka Kassabova’s Reconnaissance, memory contributes to the construction of transcultural identities where any opposition based on the dichotomy East/West gradually loses its meaning.

  I am going to investigate how the narrative strategies in both the novels revolve around memory as a trigger for a new definition of identity based on transition rather than on the identification with national groups. The main characters’ direct belonging to a group is questioned by the emergence of family memories connected to migration from Ukraine (in Tractors) and from Bulgaria (in Reconnaissance). The narrative of memories breaks the main action in the novel and the plot can develop towards an end just when the characters have acknowledged memories of migration and of Eastern Europe as part of their own identity. Memory, as in Assmann, is a form of “realisation of belonging” but without that “assimilatory forgetting” that he sees as part of the transition among groups.

  Lewycka and Kassabova represent characters in need of revising the history of their native lands through the filter of their family memory, opposing in this way the power of stories to the strength of official narratives. “To tell someone” is the condition for being “free[d] of the burden of history” (Kassabova), the only possibility to cast new light on what has remained untold or biased within narratives dealing with Eastern Europe after the Cold War. All in all, Lewycka’s and Kassabova’s fiction on migration challenges discourses on Eastern Europe, while at the same time bestowing new interpretative options on both Eastern European history and migration from countries which have experienced Soviet domination.

   

 

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