Euroacademia Conferences
- Europe Inside-Out: Europe and Europeanness Exposed to Plural Observers (9th Edition) April 24 - 25, 2020
- Identities and Identifications: Politicized Uses of Collective Identities (9th Edition) June 12 - 13, 2020
- 8th Forum of Critical Studies: Asking Big Questions Again January 24 - 25, 2020
- Re-Inventing Eastern Europe (7th Edition) December 13 - 14, 2019
- The European Union and the Politicization of Europe (8th Edition) October 25 - 26, 2019
- Identities and Identifications: Politicized Uses of Collective Identities (8th Edition) June 28 - 29, 2019
- The European Union and the Politicization of Europe (7th Edition) January 25 - 26, 2019
- 7th Forum of Critical Studies: Asking Big Questions Again November 23 - 24, 2018
- Europe Inside-Out: Europe and Europeanness Exposed to Plural Observers (8th Edition) September 28 - 30, 2018
- Identities and Identifications: Politicized Uses of Collective Identities (7th Edition) June 14 - 15, 2018
Art in Oslo: Old, New, Borrowed and Blue – Creating a New Identity for the City and its People
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Presentation speakers
- Ekaterina Bagreeva, Russian Economic University of G. V. Plekhanov
Abstract:
The Norwegian capital, once called the most boring city in the world, has lately been described with a variety of superlatives. The 1000-year old Oslo, home of Vikings, a forgotten Danish province and later a remote appendix to the Swedish throne, was resurrected as the «God’s field» in 1905 when it became the capital of the newly independent Norway. The fragile identity of the city was revised in the 1960s when this northern rim of Europe, hardly associated with anything but snow and fjords, skyrocketed as one of the wealthiest cities in the world as vast oil reserves were discovered in the North Sea. The presentation introduces the work of the great Norwegian patron of the arts, Christian Rignes. He undertook the task of making citizens proud of their heritage, extracting the essence of the Norwegian soul and identity, as well as bringing the genius of artists like Dali, Rodin and Buseyne to the Norwegian woods. His Ekeberg Park in the East with sculptures underlining feminime qualities, balance the dominance of masculinity of the Vigeland Park in the Oslo West-End.
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