Euroacademia Conferences
- Europe Inside-Out: Europe and Europeanness Exposed to Plural Observers (9th Edition) April 24 - 25, 2020
- Identities and Identifications: Politicized Uses of Collective Identities (9th Edition) June 12 - 13, 2020
- 8th Forum of Critical Studies: Asking Big Questions Again January 24 - 25, 2020
- Re-Inventing Eastern Europe (7th Edition) December 13 - 14, 2019
- The European Union and the Politicization of Europe (8th Edition) October 25 - 26, 2019
- Identities and Identifications: Politicized Uses of Collective Identities (8th Edition) June 28 - 29, 2019
- The European Union and the Politicization of Europe (7th Edition) January 25 - 26, 2019
- 7th Forum of Critical Studies: Asking Big Questions Again November 23 - 24, 2018
- Europe Inside-Out: Europe and Europeanness Exposed to Plural Observers (8th Edition) September 28 - 30, 2018
- Identities and Identifications: Politicized Uses of Collective Identities (7th Edition) June 14 - 15, 2018
Line as the Essence of Becoming-Artist
-
-
Presentation speakers
- Deborah Bouchette, Institute for Doctoral Studies in the Visual Arts, USA
- Download presentation
Abstract:
Philosophy seems content to address the artist in terms of genius, history, standards, or to analyze his or her radical nature. But what is the essence of the artist? In this paper I argue that line is the essence of becoming-artist: the artist’s privileged relationship with line is one of revisiting the nascent place of form, where bare line is the primordial instantiation of space and time, and that this repetition is paramount to existence through an unfinalizable anticipation of re-creation. Even if the initial void and point are more fundamental than the line, until the point begins to move, time remains fixed and space remains indeterminate, for there is no “you are here” when there is no other “there.” This paper presents positions espoused by the philosophers Jean-Luc Nancy, Brian Massumi, Martin Heidegger, Giorgio Agamben, and Henri Maldiney to show that the artist’s sense of anticipation drives the need to revisit the birthplace of form via essential line, while simultaneously exposing the errancy of art being defined as mimēsis.
Related Presentations