Papers

    • Principles of European Innovation Clusters Policy and Enhance Cooperation with Ukraine

      Principles of European Innovation Clusters Policy and Enhance Cooperation with Ukraine 

      This paper examines the foundations of European cluster policy. It addresses the main organizations in Europe, dealing with cluster policy. The analysis follows the model generated by the creation and development of innovation clusters in Germany, France and Poland. This overview will illuminate the peculiar features of European cluster policy.

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    • The Contribution of TEI of Peloponnese to the Development of Kalamata

      The Contribution of TEI of Peloponnese to the Development of Kalamata 

      Congress tourism is a major subcategory of business tourism and it looks like it's importance is rising. It is considered a factor that can contribute significantly to the economic development of the city and the region. Kalamata is a medium sized city (~50.000 inhabitants) in southern Greece.

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    • Statistical analysis of the government expenditure for Albania: January 2008- September 2015

      Statistical analysis of the government expenditure for Albania: January 2008- September 2015 

      The main purpose of the present study is to develop a statistical analysis of the government expenditure for Albania during the period January 2008- September 2015. The source of the official data is the Albanian Institute of Statistics. The Kolmogorov’s Central Limit Theorem, “fair game” concept in the sense of Stein-Vorobiev, Kolmogorov- Smirnov- Lilliefors test and Shapiro- Wilk test are applied. The government expenditure is estimated based on current price or as a percentage of GDP.

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    • Constructing Alternative Narratives of Europe in Contemporary Art: A PIGS' Perspective

      Constructing Alternative Narratives of Europe in Contemporary Art: A PIGS’ Perspective 

      This paper focuses on two recent art exhibitions held in Spanish museums: Prophetia (Fundación Miró, Barcelona, 2015) and PIGS (Artium Museum, Vitoria, currently on display). These exhibitions raise a number of interesting questions about the European Union: Are we witnessing a "new abduction" of Europe by financial powers? Is the north-south divide based on old cultural and social clichés? Are these neo-colonial discursive strategies pervading European institutions and public opinion? How can we rethink European identity from the margins?

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    • Art and Heritage: Crossing Imaginaries In European Sites

      Art and Heritage: Crossing Imaginaries In European Sites 

      Among several lines, this paper selects a presentation of examples for that re/interpellation at crossroads of past and present by interventions of contemporary art in historic sites. From milestones as the Parthenon in Athens and the Colosseum in Rome, to memorials, museums, and public spaces, there is a diversity of involvements by artists with the European heritage and remembrance. The paper recalls with images some works by Gary Hill, Bill Fontana, Michelangelo Pistoletto, Ilya Kabakov, Gustave Metzger, Atta Kim, among others.

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    • Reading Monuments - Building Memories Depictions of Books in Holocaust Memorials

      Reading Monuments – Building Memories Depictions of Books in Holocaust Memorials 

      In this study I will consider interactions between verbal and visual memory traditions, by examining monuments and art installations that use books and libraries as symbols to commemorate the Holocaust. This will be done by focusing on three concrete monuments: „The Empty Library” by Micha Ullman in Berlin, The „Nameless Library” by Rachel Whiteread in Vienna and „The Hall of Names” by Moshe Safdie in the Yad Vashem museum in Jerusalem. Interestingly, books and archives are increasingly used in monuments in an age in which media innovations have challenged the position of the traditional printed book.

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    • Objects and Concepts of Musical Nationalism in 19th Century Greece

      Objects and Concepts of Musical Nationalism in 19th Century Greece 

      The present paper will demonstrate the importance of these conflicting dominant ideologies in the construction of Greek-European identity during the last decades of the 19th century, through the illustration of the symbolic function of a Collection of National Songs, notated in Byzantine notation and published in Athens in 1880, while contextualizing it within the cultural and political environment of the turn of the century.

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    • A Gendered National Festival on a Greek Island Shrine

      A Gendered National Festival on a Greek Island Shrine 

      The paper is based on several periods of fieldwork, carried out since 1990 to the present, involving research into the festival dedicated to the Dormition of the Panagia on Tinos, and it aims to explore some of the main elements of this festival taking place on the margins of Europe, within a socio-economic and political framework.

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    • Icons of Virgin Mary and the Shaping of Identity in Central Europe

      Icons of Virgin Mary and the Shaping of Identity in Central Europe 

      In this paper, the role and the spread of the devotional image of Mariahilf are demonstrated by an example. An icon of Mariahilf was worshipped in Passau and had an important role already in the Thirty Years' War; it was believed that it ensured the victory over the Ottomans in 1683 in the Battle of Vienna. The pious Emperor Leopold I was its loyal worshipper. He married his third wife under the icon and prayed to it every day during the siege of Vienna. After that battle, Mariahilf images spread throughout Central Europe and can thus be found in parish churches, monastic, succursal and pilgrimage churches as well as private aristocratic chapels and painting collections. Furthermore, Mariahilf was often depicted on the facades of private houses. When certain aristocrats (e.g. Georg Gotfried Count Lamberg, the Provincial Commander of Teutonic Knights) identified themselves with the icon of Mariahilf, this contributed to their career success in the service of the Emperor.

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    • Self-Representation in the Age of the Internet. Social Media as a New Tool for the Construction of Identity in Contemporary Art

      Self-Representation in the Age of the Internet. Social Media as a New Tool for the Construction of Identity in Contemporary Art 

      The idea of the artist was to play with storytelling and social media. So it came that Ulman, between May and August 2014, enacted her own persona and amassed close to 65,000 followers on Instagram. She created a fictional self on Instagram and declared her Instagram identity as a performance entitled “Excellences & Perfections”. In Ulman’s performance, social media is experienced as a new medium in contemporary art and focuses on the self-expression of young girls in the Internet age. In my presentation, I would like to explore how artists make use of social media in their work and how this practices influences the question of self-representation in contemporary art in the internet age.

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