Euroacademia Conferences
Europe Inside-Out: Europe and Europeanness Exposed to Plural Observers (9th Edition) April 24 - 25, 2020
Identities and Identifications: Politicized Uses of Collective Identities (9th Edition) June 12 - 13, 2020
8th Forum of Critical Studies: Asking Big Questions Again January 24 - 25, 2020
Re-Inventing Eastern Europe (7th Edition) December 13 - 14, 2019
The European Union and the Politicization of Europe (8th Edition) October 25 - 26, 2019
Identities and Identifications: Politicized Uses of Collective Identities (8th Edition) June 28 - 29, 2019
The European Union and the Politicization of Europe (7th Edition) January 25 - 26, 2019
7th Forum of Critical Studies: Asking Big Questions Again November 23 - 24, 2018
Europe Inside-Out: Europe and Europeanness Exposed to Plural Observers (8th Edition) September 28 - 30, 2018
Identities and Identifications: Politicized Uses of Collective Identities (7th Edition) June 14 - 15, 2018
The Insignificant Girl
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Presentation speakers
- Manasee Jog, Srishti Institute of Art, Design and Technology, Bangalore, India
Abstract:
Heroes form an important part of narratives in Indian comic periodicals such as Baitul the Great, Bahadur, Nagaraj, Shikari Shambhu, and in publications such as ACK and Chandamama. This paper examines Indian comics from the postindependence era (circa1947 onwards), focusing on the journey of the oft seen, yet not so vocal, female characters from these periodicals. Batul’s aunt, Shambhu’s wife, Bahadur’s girlfriend Bela, Chacha Chaudhary’s wife Bini Chachi, Phantom’s wife Diana Palmer and Mandrake’s girlfriend Narda (among others), were seldom the protagonists yet were omni-present in the storylines. This paper proposes that these characters helped shape a generation, not just through their actions but also through the larger discussions and perceptions surrounding these female characters. This paper highlights the gender polarity and the disparity in story proportion given to the female character vis-à-vis the male. In doing so it addresses how comics were in support of all things patriarchal, and helped propagate a way of thinking that we now understand to be not just dangerous, but destructive. Finally, it considers contemporary female characters from Indian comics now and contemplates the winds of change over generations as India moves from being a ‘third world country’ to a ‘superpower’.
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