Euroacademia Conferences
- Europe Inside-Out: Europe and Europeanness Exposed to Plural Observers (9th Edition) April 24 - 25, 2020
- Identities and Identifications: Politicized Uses of Collective Identities (9th Edition) June 12 - 13, 2020
- 8th Forum of Critical Studies: Asking Big Questions Again January 24 - 25, 2020
- Re-Inventing Eastern Europe (7th Edition) December 13 - 14, 2019
- The European Union and the Politicization of Europe (8th Edition) October 25 - 26, 2019
- Identities and Identifications: Politicized Uses of Collective Identities (8th Edition) June 28 - 29, 2019
- The European Union and the Politicization of Europe (7th Edition) January 25 - 26, 2019
- 7th Forum of Critical Studies: Asking Big Questions Again November 23 - 24, 2018
- Europe Inside-Out: Europe and Europeanness Exposed to Plural Observers (8th Edition) September 28 - 30, 2018
- Identities and Identifications: Politicized Uses of Collective Identities (7th Edition) June 14 - 15, 2018
Women’s Political Visualisation of Post-conflict Belfast
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Presentation speakers
- Jolene Mairs Dyer, Ulster University, Northern Ireland, UK
Abstract:
O’Dowd and Komarova (2013: 528) outline difficulties encountered when ‘theorising’ the city. Belfast, in Northern Ireland, they suggest, has been viewed as exemplar ‘conflict’ or ‘contested’ city, or one that it is ‘divided by deep-rooted ethno-national conflict.’ In late 2014, a group of women who live in the predominantly Protestant Tiger’s Bay and predominantly Catholic New Lodge ‘interface’ areas of North Belfast, worked cooperatively to produce a visual representation of their localities as a means of highlighting political issues affecting the post-conflict city. This visualisation took the form of a photobook containing images taken and edited by the women themselves. This paper offers an analysis of this work in relation to O’Dowd and Komarova’s (2013) ‘new capitalist’ and ‘contested’ city narratives and Rallings (2014: 432) view that the physical environment informs ‘how people interact with certain spaces and with each other.’ It concludes that this visualization acts as both representation and reminder that Belfast is a city of multiple narratives and lived experiences that require both expression and integration into wider political narratives about public space. It is an attempt to make visible issues that persist in regions of the city that cannot easily be assimilated into the new capitalist city narrative. In addition, such methods of community-led cooperative engagement of women living in contested areas of the post-conflict city generates what Gizeli (2011: 524) terms a form of ‘social capital’ whereby ‘resources embedded in social structures (…) can be mobilized towards a purposive collective action.’